Post-Production: Editing, Color and Sound
By 96Hz Agency
Published
Post-production covers organizing footage, editing, color, sound and delivery.
Post-production covers organizing footage, editing, color, sound and delivery. Agree on review stages and output formats before the edit starts.
Stage 1 — Ingest and organization
Copy footage to backup storage and verify the transfer with checksums. Agree on how copies are stored and protected before the shoot.
- Transfer and verify with checksums
- Sync external audio with clapboard or timecode
- Label by scene, take, and quality
- Create proxies for smooth editing
Stage 2 — Rough cut (editorial assembly)
The editor assembles a story from the best takes. This is NOT polished — it's structural. The goal is to lock the narrative, pacing, and emotional beats before worrying about color or sound.
Stage 3 — Fine cut and picture lock
After client feedback, the editor refines every cut — frame-accurate timing, j/l cuts for dialogue flow, breath beats between scenes. Once approved, the picture is "locked" — meaning no more edits. This is critical because color and sound work happens to locked frames.
Stage 4 — Color grading
Color grading is the art of establishing mood and visual consistency. It happens in two passes:
- Color correction: Fix exposure, white balance, match shots
- Creative grade: Apply a look that serves the story (warm, cool, cinematic, natural)
Stage 5 — Sound design and mix
- Dialogue editing and noise reduction
- Foley (footsteps, cloth, props)
- Ambient room tone
- Music selection and editing
- Final mix balanced for target platform (cinema, broadcast, web, mobile)
Stage 6 — VFX, motion graphics, and titles
Graphics layers: lower thirds, logo animations, data visualizations, subtitles, kinetic typography. Complex VFX (sky replacement, object removal, 3D elements) often runs in parallel with editorial.
Stage 7 — Quality control and delivery
- Full QC review on calibrated monitor and reference speakers
- Export masters (ProRes or DNxHD)
- Export web versions (H.264, multiple aspect ratios)
- Loudness normalization per platform spec
- Subtitle files (SRT, VTT)
- Delivery via secure client portal
How long does post-production take?
Project typePost-production time Social spot (15–30s)3–7 days Corporate video (2–5 min)2–4 weeks TVC / commercial3–6 weeks Brand documentary (10+ min)6–10 weeks Music video2–4 weeksEditing vs. color grading vs. sound design — what's the difference?
Editing decides the story: what to show, in what order, for how long.
Color grading decides how the story feels: warm or cool, bright or moody, natural or stylized.
Sound design decides what the story says to your ears: silence, music swells, texture, impact.
FAQ
Q: Why can't I see the finished video right after the shoot?
Because footage needs to be backed up, organized, edited, graded, mixed, and quality-checked. The shoot is raw material; post is where the film is actually made.
Q: How many revision rounds are normal? Agree on the number of review rounds, who consolidates feedback and what counts as a scope change.
Q: Can I request changes after picture lock? Changes after picture lock may require color, sound or VFX work to be revised. Check the schedule and cost before approving them.
Discuss the Post-Production Scope
Share your goal, schedule and required deliverables to discuss a production plan. Contact 9,6Hz Agency portfolio
Durations and schedules are discussion examples. Agree on the actual scope and delivery date for the project.